Looking at the landscape painting photography of Laura Plageman , it can take a minute of arc to get your bearing on what ’s locomote on . Her technique of manipulating prints then rephotographing them not only plays tricks on your eyes , but might leave you question the nature of picture taking altogether .
When we usually see a photograph , we are used to think of it as an image — a portrayal of realness . Plageman ’s Response series presents us with a pic of a photograph . It is a essentially a still - life of a part of composition that has been sculpted by hand . To in full appreciate the image , you have to get your head around the two realities you ’re seeing , that of the landscape , and that of the photographed opus of paper . It ’s , like , very metaphysical and stuff .
On a purely esthetic level , Plageman ’s photos ferment because the forms created by fudge the print mirror the wild forms of nature . There is a one there that is bizarre but seems totally coherent as well .
Landscape photography has a long and storied account , but much of what ’s democratic today consists of monotonous repetition of HDR consequence and super - heightened color . It ’s great to see an artist extending the genre in a elbow room that is both visually interesting and mentation - provoking .
See more of Laura Plageman ’s work onher web site .
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