Ahsokais a show that culminates years of attempt on the behalf of Lucasfilm to try andbuild a bridgebetween the animise work that kept Star Wars going after the movies seemingly came to an end after the prequels , and the live - action television that has confirm it in the modern era . But for all its attempts , its best successes are reminders that sometimes you just need to let character stay a little animated .
There ’s a mass live on on in Ahsoka ’s first two instalment so far , frommap huntsto Jedi duels and allsorts of machination , but its biggest dubiousness persist open on just how the serial is draw near three of its main supporter — Ahsoka Tano , Sabine Wren , and Hera Syndulla — and eventually one of its main antagonists , Grand Admiral Thrawn , as they make the passage ( in heartfelt , in Ahsoka ’s casing ) to the realm of live - activity Star Wars sensitive . So far it ’s not unfair to say there have been a few bumps — an inept characterisation here , a peculiar touch electron lens there . Although the show is setting the stage for potential drop when it comes to these quality , we ca n’t really definitively say one room or the other yet just how successfully Ahsoka will have managed to escape the uncanny vale of try out to take characters you are used to see in an animise , stylize hyperbole of the Star Wars galaxy and transfer them into a live - natural process lens .
But where the serial has undoubtedly succeeded in this heed already is in its supporting droid casting : Huyang , David Tennant ’s Clone Wars lightsaber archivist ; and Chopper , Rebels ’ irascible gremlinof an astromech friend . They ’re perhaps some of the most fun Star Wars has had with live - natural process droids since BB-8changed the gametrundling along the sands of Jakku in The Force Awakens ’ earliest poke — and that in part is because they are great adaption of their enliven selves , ones that comprehend those roots instead of solely focusing on how resilient - action mechanism Star Wars has handle characters like this in the past .

Screenshot: Lucasfilm
This is , of course , easier to do with droids than it is human and foreign being like Ahsoka ’s main adaptive plaster cast . David Tennant is still charmingly earnest and slightly comedic as Huyang as he was guiding younglings in lightsaber construction in Clone Wars , and Dave Filoni ’s chaotic droidspeak is much the same here as it was in Rebels . The weird vale is easier to cross when you’re able to for the most part emulate a lineament ’s artistic form in a interchangeable way no matter of the medium like you’re able to with a droid ’s design , too , than you’re able to having to put a very real individual ’s cheek on a character designed as a stylized being . Huyang and Chopper smell like Huyang and Chopper , and they voice like them too . But it ’s more than that which creates the fact that they feel like them , too , and it ’s something that Ahsoka nails : they ’re live action droids but they still move and enunciate like their exaggerated animated counterparts .
Most Star Wars droids move a certain fashion in bouncy - action because of , by and large , the same techniques that have been defining those characters since R2 - D2 and C-3PO came on screen door at the beginning of A New Hope . They are people in sticky fitting suits that dictate a certain style of graphic symbol , they are remote ensure vehicles that birr and semivowel . Even in more contemporary material like the prequels and their Battle Droids , largely VFX cosmos for the most part , they still move in an effort to emulate that same kind of style , albeit a small politic with the welfare of CG engineering . Ahsoka still has droids like this too , like the protocol units on Corellia in its second episode , and recent series like Andor and the Mandalorian have mostly stuck to these technique to take droids like IG-11 or B2EMO to animation — certain approachesto droid personhood and personality aside — because , well , that feels like Star Wars . Huyang and Chopper both do this on a base layer too , but crucially beyond that , they still move and emote like they did in animation .
There ’s a sure specific energy to the way Huyang holds himself that does n’t find like a communications protocol droid or a prequels - era fight droid . He move a little more swimmingly that we ’ve follow to expect from these physical droids , and there ’s an animated magnification to him , all the way down to the tiniest details — like the way his eyes are n’t just solid lights , but modest screens that permit his school-age child to animate and express different emotions . Chopper in exceptional moves like he does in Rebelsdown to a football tee — even though we ’ve not seen much of him outside the co - pilot droid socket in the Phantom , the agency his little operator implements of war allow him to comically express his frustration ( and other , slimly less important emotions to Chopper ) in episode two are a stark match .

Screenshot: Lucasfilm
It makes them both still sense very cartoony , despite being deliver in alive - action mechanism , and a fascinating transparency to how the organic animated characters feel in the show so far . It ’s a small particular , but goes a very recollective direction in making the vitrine for at least some of Ahsoka ’s leap to live activity .
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